2023
"Carla Stellweg on her life and work," an interview with Courtney Yoshimura for Artforum.
Additional Selected Press from Cultivar. Homenaje a Carla Stellweg:
Time Out (May 2023); La verdad (May 2023); La unión (May 2023); Artforum (July 2023); Christie's (July 2023); Artishock (August 2023); INBA (August 2023); Artnexus No. 121 (December 2023)
"Bullfighting <> Art-making" in Miguel Gaona: The American Dream (Flux Lab Gallery, 2023).
2022
"Tea for Two and Two for Tea," introduction in the catalog, Jesse Amado & Alejandro Diaz: Double Pleasure, accompanying the exhibition of the same title, organized by Ruiz-Healy Art, pp. 7-13.
"Un océano de diferencia," a text-interview with Magalí Arriola and Andrea Valencia in Cocodrilos en la poza. Los orígenes del Museo Tamayo, Vol. 2 in Tamayo 40, a catalog celebrating Museo Tamayo's 40th anniversary, pp. 38-49.
"Eclipsing: Gritty and Successful," a testimonial in Galería OMR (1983–2015): Placing Mexico in Contemporary Art’s Map, pp. 212-213.
2021
"Cisco Jiménez, alias Tezcatlipop Bonampunk," in Cisco Jiménez: Anatómica, Museo Amparo, Puebla, pp. 86-91.
"Kathy Sosa: A Unique Borderland Painter," an unpublished essay.
2020
"El Hábitat de un Otro Mono / The Habitat of Another Monkey," in El Otro Mono (Cuernavaca, Morelos, Mexico: El Otro Mono, 2020), pp. 7-9.
Prologue in Pequeñas máquinas de consciencia: La obra de Sylvia Palacios Whitman, by Jennifer McColl Crozier (Metales Pesados, 2020), pp. 7-10.
2019
EL ARTE ES UNA MENTIRA QUE DICE LA VERDAD: BITACORA DE FRANCISCO ICAZA, a text in the catalog of the retrospective exhibition of 50-year career of Francisco Icaza, titled Me Quiero Ir Al Mar, opening June 13, 2019 at the Museo del Palacio de Bellas Artes, Mexico City.
Celestial Vectors: Earth Meets Sky, a text accompanying the exhibition of the same title presenting the work of artist Vargas-Suarez Universal, presented by A.K.A. Editions at Stellweg Partners NY LCC Soho loft, March 5 - April 6, 2019.
2018
Rhythm, Time and Space: A Celebration of Myra Landau, Her Life and Her Art in the exhibition brochure by Henrique Faria Fine Art, New York.
A text-interview with the artist Ray Smith in Ray Smith: El Narciso de Jesús, a catalog accompanying the exhibition of the same name, curated by Taiyana Pimentel and presented by the Instituto Nacional de Bellas Artes through Proyecto Siqueros: La Tallera, Cuernavaca, Mexico, from December 2017 to March 2018.
"No Going Back/Sin Retorno," an interview with Carla by Dorothée Dupuis, in Terremoto, Issue #11, pp. 46-50.
2017
“No son todas las que están ni están todas las que son,” in Radical Women: Latin American Art, 1960-1985, Hammer Museum, Los Angeles, pp. 291-297.
Cisco Jimenez: Radiograbadoras y otros derivados, El Museo de la Ciudad de Cuernavaca (MuCIC).
Juan Acha. Despertar revolucionario, MUAC-UNAM, RM, pp.242-245
“At the Threshold of Art and Life: An Interview with Carla Stellweg (the Artes Visuales Years)," by María C. Gaztambide, in Diálogo Magazine, International Center for the Arts of the Americas, Museum of Fine Arts, Houston, pp.173-180.
"José Angel Rosabal: Traversing the Many Worlds of Abstraction," in José Rosabal: Á la Recherché du Temps Perdu, Latin Art Core, Miami, pp. 6-10.
2016
“Ocio," an entry for the Incomplete Glossary of Latin America, in United States of Latin America, Museum of Contemporary Art Detroit (MOCAD), in collaboration with the Kadist Art Foundation, curated by Jens Hoffman and Pablo Leon de la Barra
2015
“We Are Here, They Are There," on Guggenheim's UBS MAP Global Art Initiative Blog.
2014
"Beyond Function and Form: The Art of Rendering the Invisible Visible," in COSMOS CODEX: New Work by Vargas-Suarez UNIVERSAL (San Jose, CA: MACLA, May 2 - Aug. 2, 2014).
"The Art of Architectural Disguise: New Paintings by Rodolfo Edwards," in Rodolfo Edwards: Wanderlust (Santiago, Chile: Galería Mundo Sur), pp. 4-7.
2012
"Patrick Jolley: An Idiosyncratic and Peripatetic Life," in Basado en una historia real = Based on a true story (Santiago de Chile: Museo de la Solidaridad Salvador, 2012), pp. 7-9.
"De submarinos y castillos en el aire," in Arte por Excelencias: Revista de las Américas y el Caribe, No. 14 (Madrid: ELA, 2012), pp. 72-75.
2011
"Testimonios: 'Desdelotrolado'," in Lingua franca: arte contemporáneo: un continente llamado América Latina (México, D.F: Landucci, 2011), pp. 79-99.
2010
"Gallerists and the Marketplace," in Taking AIM: The Business of Being an Artist Today (New York: Fordham University Press, 2011), pp. 89-99.
"Documenting the Undocumented," in Artes Visuales: Una selección facsimilar: En Homenaje a Fernando Gamboa (México, D.F: Museo de Arte Moderno, 2010), pp. 15-32 (Spanish); pp. 309-319 (English)
2009
Mentioned in a text "On Artes Visuales," by Tomás Ybarra-Fausto, in Número Cero 5 CABORCA (San Juan, PR: Instituto de Cultura Puertorriqueña, 2009), pp. 30-31.
1999
"Encontrar una visión," in Viewfinder (Blue Star Art Space, [Gijón] Fundación Municipal de Cultura, Educación y Universidad Popular del Ayuntamiento de Gijón), pp. 6-8.
Introduction in Contact: Christians and Moors. Image and Ritual in Mexico. Photographs by George O. Jackson, (Blue Star Art Space, San Antonio, TX; Salt Lake City Art Center, Salt Lake City, UT), Organized by Carla Stellweg, curated by Roberto Tejada, pp. 4-6.
1998
Introduction in Blue Star 13: Inside the Loop (San Antonio, TX: Blue Star Art Space, 1998), pp. 4-9.
1995
Essay in Dialogues de paix / Dialogues of Peace: 03-07/24-10-1995, (Paris: Palais des Nations Geneve, 1995), pp. 167-170.
1994
"Being & Becoming: Beyond Borders and other Barriers" in Beyond the Borders: Art by Recent Immigrants (Bronx Museum of the Arts, 1994).
Arte, sociedad, reflexion: Quinta Bienal de La Habana (La Habana, Tabapress S.A., 1994), pp. 47-55.
Essay in Lucas Johnson: Drawings from the Underworld/Dibujos del bajomundo (Texas: Contemporary Art Museum, 1994), pp. 4-10.
1992
"Gabriel Orozco: Naturaleza Recuparada," and "Carlos Capelán: Landscape and Map," in America: Bride of the Sun: 500 years Latin America and the Low Countries (Brussels, Belgium: Flemish Community, Administration of External Relations; Gent, Belgium: Imschoot, Books, 1991), pp. 314-315; p. 338.
"The Camera's Seductress," in Frida Kahlo: The Camera Seduced (San Francisco: Chronicle Books, 1st Edition, 1992), p. 105-118. (First printed by Imschoot Publishers, Belgium, 1991; appeared in Dutch, German, French, and in 1993 a Spanish edition was published by La Vaca Independiente, Mexico City.)
Uncommon Ground: 23 Latin American Artists (New York City: College Art Gallery, College at New Paltz, State University of New York, 1992), pp. 7-25.
1988
"The Calavera," in Dia De Los Muertos: Day of the Dead (New York: Alternative Museum, First Edition, 1988), pp. 18-24.
"Magnet - New York: Conceptual, Performance, Environmental, and Installation Art by Latin American Artists in New York," in The Latin American Spirit: Art and Artists in the United States, 1920-1970 (New York: Bronx Museum of the Arts; Harry N. Abrams, 1988), pp. 284-332.
1984
Introduction in Joaquín Torres-Garcia, 1874-1949: Late Paintings (New York: Arnold Herstand & Co., 1984).
1983
"Is There a Space for Latin American Artists?" in The Flue: Volume III, No. 2 (New York: Franklin Furnace, 1983), pp. 28-29.
1981
"The Legacy of Milton Avery," in Milton Avery: Avery in Mexico and After / Avery en Mexico y obra posterior (New York: Rapoport Printing Corp., 1981), pp. 21-24.
1980
"Seven Artists in post-Franco Spain," in ARTnews, Volume 79, Number 3, March 1980. pp. 58-63.
1979
Introduction in LAICA Journal: Southern California Art Magazine, No. 25 (Nov.–Dec. 1979). Special Issue: Art in Latin America (California: Los Angeles Institute of Contemporary Art, 1979), pp. 12-14.
"Body Attachments," in Limited Editions of Hand Printed Etchings by Les Levine, New York: Artist Profusions, 1979, pp.35-38.
1971
"Páginas negras de la historia. Capitulo: Brasil." In Contrabienal (New York: 1971).
1968-1973
Various articles in Excelsior (Mexico, D.F.), Supplement, "Diorama de la Cultura."
"Carla Stellweg on her life and work," an interview with Courtney Yoshimura for Artforum.
Additional Selected Press from Cultivar. Homenaje a Carla Stellweg:
Time Out (May 2023); La verdad (May 2023); La unión (May 2023); Artforum (July 2023); Christie's (July 2023); Artishock (August 2023); INBA (August 2023); Artnexus No. 121 (December 2023)
"Bullfighting <> Art-making" in Miguel Gaona: The American Dream (Flux Lab Gallery, 2023).
2022
"Tea for Two and Two for Tea," introduction in the catalog, Jesse Amado & Alejandro Diaz: Double Pleasure, accompanying the exhibition of the same title, organized by Ruiz-Healy Art, pp. 7-13.
"Un océano de diferencia," a text-interview with Magalí Arriola and Andrea Valencia in Cocodrilos en la poza. Los orígenes del Museo Tamayo, Vol. 2 in Tamayo 40, a catalog celebrating Museo Tamayo's 40th anniversary, pp. 38-49.
"Eclipsing: Gritty and Successful," a testimonial in Galería OMR (1983–2015): Placing Mexico in Contemporary Art’s Map, pp. 212-213.
2021
"Cisco Jiménez, alias Tezcatlipop Bonampunk," in Cisco Jiménez: Anatómica, Museo Amparo, Puebla, pp. 86-91.
"Kathy Sosa: A Unique Borderland Painter," an unpublished essay.
2020
"El Hábitat de un Otro Mono / The Habitat of Another Monkey," in El Otro Mono (Cuernavaca, Morelos, Mexico: El Otro Mono, 2020), pp. 7-9.
Prologue in Pequeñas máquinas de consciencia: La obra de Sylvia Palacios Whitman, by Jennifer McColl Crozier (Metales Pesados, 2020), pp. 7-10.
2019
EL ARTE ES UNA MENTIRA QUE DICE LA VERDAD: BITACORA DE FRANCISCO ICAZA, a text in the catalog of the retrospective exhibition of 50-year career of Francisco Icaza, titled Me Quiero Ir Al Mar, opening June 13, 2019 at the Museo del Palacio de Bellas Artes, Mexico City.
Celestial Vectors: Earth Meets Sky, a text accompanying the exhibition of the same title presenting the work of artist Vargas-Suarez Universal, presented by A.K.A. Editions at Stellweg Partners NY LCC Soho loft, March 5 - April 6, 2019.
2018
Rhythm, Time and Space: A Celebration of Myra Landau, Her Life and Her Art in the exhibition brochure by Henrique Faria Fine Art, New York.
A text-interview with the artist Ray Smith in Ray Smith: El Narciso de Jesús, a catalog accompanying the exhibition of the same name, curated by Taiyana Pimentel and presented by the Instituto Nacional de Bellas Artes through Proyecto Siqueros: La Tallera, Cuernavaca, Mexico, from December 2017 to March 2018.
"No Going Back/Sin Retorno," an interview with Carla by Dorothée Dupuis, in Terremoto, Issue #11, pp. 46-50.
2017
“No son todas las que están ni están todas las que son,” in Radical Women: Latin American Art, 1960-1985, Hammer Museum, Los Angeles, pp. 291-297.
Cisco Jimenez: Radiograbadoras y otros derivados, El Museo de la Ciudad de Cuernavaca (MuCIC).
Juan Acha. Despertar revolucionario, MUAC-UNAM, RM, pp.242-245
“At the Threshold of Art and Life: An Interview with Carla Stellweg (the Artes Visuales Years)," by María C. Gaztambide, in Diálogo Magazine, International Center for the Arts of the Americas, Museum of Fine Arts, Houston, pp.173-180.
"José Angel Rosabal: Traversing the Many Worlds of Abstraction," in José Rosabal: Á la Recherché du Temps Perdu, Latin Art Core, Miami, pp. 6-10.
2016
“Ocio," an entry for the Incomplete Glossary of Latin America, in United States of Latin America, Museum of Contemporary Art Detroit (MOCAD), in collaboration with the Kadist Art Foundation, curated by Jens Hoffman and Pablo Leon de la Barra
2015
“We Are Here, They Are There," on Guggenheim's UBS MAP Global Art Initiative Blog.
2014
"Beyond Function and Form: The Art of Rendering the Invisible Visible," in COSMOS CODEX: New Work by Vargas-Suarez UNIVERSAL (San Jose, CA: MACLA, May 2 - Aug. 2, 2014).
"The Art of Architectural Disguise: New Paintings by Rodolfo Edwards," in Rodolfo Edwards: Wanderlust (Santiago, Chile: Galería Mundo Sur), pp. 4-7.
2012
"Patrick Jolley: An Idiosyncratic and Peripatetic Life," in Basado en una historia real = Based on a true story (Santiago de Chile: Museo de la Solidaridad Salvador, 2012), pp. 7-9.
"De submarinos y castillos en el aire," in Arte por Excelencias: Revista de las Américas y el Caribe, No. 14 (Madrid: ELA, 2012), pp. 72-75.
2011
"Testimonios: 'Desdelotrolado'," in Lingua franca: arte contemporáneo: un continente llamado América Latina (México, D.F: Landucci, 2011), pp. 79-99.
2010
"Gallerists and the Marketplace," in Taking AIM: The Business of Being an Artist Today (New York: Fordham University Press, 2011), pp. 89-99.
"Documenting the Undocumented," in Artes Visuales: Una selección facsimilar: En Homenaje a Fernando Gamboa (México, D.F: Museo de Arte Moderno, 2010), pp. 15-32 (Spanish); pp. 309-319 (English)
2009
Mentioned in a text "On Artes Visuales," by Tomás Ybarra-Fausto, in Número Cero 5 CABORCA (San Juan, PR: Instituto de Cultura Puertorriqueña, 2009), pp. 30-31.
1999
"Encontrar una visión," in Viewfinder (Blue Star Art Space, [Gijón] Fundación Municipal de Cultura, Educación y Universidad Popular del Ayuntamiento de Gijón), pp. 6-8.
Introduction in Contact: Christians and Moors. Image and Ritual in Mexico. Photographs by George O. Jackson, (Blue Star Art Space, San Antonio, TX; Salt Lake City Art Center, Salt Lake City, UT), Organized by Carla Stellweg, curated by Roberto Tejada, pp. 4-6.
1998
Introduction in Blue Star 13: Inside the Loop (San Antonio, TX: Blue Star Art Space, 1998), pp. 4-9.
1995
Essay in Dialogues de paix / Dialogues of Peace: 03-07/24-10-1995, (Paris: Palais des Nations Geneve, 1995), pp. 167-170.
1994
"Being & Becoming: Beyond Borders and other Barriers" in Beyond the Borders: Art by Recent Immigrants (Bronx Museum of the Arts, 1994).
Arte, sociedad, reflexion: Quinta Bienal de La Habana (La Habana, Tabapress S.A., 1994), pp. 47-55.
Essay in Lucas Johnson: Drawings from the Underworld/Dibujos del bajomundo (Texas: Contemporary Art Museum, 1994), pp. 4-10.
1992
"Gabriel Orozco: Naturaleza Recuparada," and "Carlos Capelán: Landscape and Map," in America: Bride of the Sun: 500 years Latin America and the Low Countries (Brussels, Belgium: Flemish Community, Administration of External Relations; Gent, Belgium: Imschoot, Books, 1991), pp. 314-315; p. 338.
"The Camera's Seductress," in Frida Kahlo: The Camera Seduced (San Francisco: Chronicle Books, 1st Edition, 1992), p. 105-118. (First printed by Imschoot Publishers, Belgium, 1991; appeared in Dutch, German, French, and in 1993 a Spanish edition was published by La Vaca Independiente, Mexico City.)
Uncommon Ground: 23 Latin American Artists (New York City: College Art Gallery, College at New Paltz, State University of New York, 1992), pp. 7-25.
1988
"The Calavera," in Dia De Los Muertos: Day of the Dead (New York: Alternative Museum, First Edition, 1988), pp. 18-24.
"Magnet - New York: Conceptual, Performance, Environmental, and Installation Art by Latin American Artists in New York," in The Latin American Spirit: Art and Artists in the United States, 1920-1970 (New York: Bronx Museum of the Arts; Harry N. Abrams, 1988), pp. 284-332.
1984
Introduction in Joaquín Torres-Garcia, 1874-1949: Late Paintings (New York: Arnold Herstand & Co., 1984).
1983
"Is There a Space for Latin American Artists?" in The Flue: Volume III, No. 2 (New York: Franklin Furnace, 1983), pp. 28-29.
1981
"The Legacy of Milton Avery," in Milton Avery: Avery in Mexico and After / Avery en Mexico y obra posterior (New York: Rapoport Printing Corp., 1981), pp. 21-24.
1980
"Seven Artists in post-Franco Spain," in ARTnews, Volume 79, Number 3, March 1980. pp. 58-63.
1979
Introduction in LAICA Journal: Southern California Art Magazine, No. 25 (Nov.–Dec. 1979). Special Issue: Art in Latin America (California: Los Angeles Institute of Contemporary Art, 1979), pp. 12-14.
"Body Attachments," in Limited Editions of Hand Printed Etchings by Les Levine, New York: Artist Profusions, 1979, pp.35-38.
1971
"Páginas negras de la historia. Capitulo: Brasil." In Contrabienal (New York: 1971).
1968-1973
Various articles in Excelsior (Mexico, D.F.), Supplement, "Diorama de la Cultura."